Among Scott
Gustafson’s
first
artistic
inspirations
were the
cartoons of
Walt Disney
and the
Warner
Brothers. By
the time he
finished
growing up
in Marengo,
Illinois,
Gustafson
was
convinced
that he
wanted to be
an animator.
It wasn’t
until he was
halfway
through high
school that
he
discovered
the book The
Boy’s King
Arthur
tucked away
in a corner
of the
library. Its
illustrations
by N.C.
Wyeth
galvanized
him, making
him realize
that this
was the sort
of detail,
color and
vibrancy he
had been
looking for
all his
artistic
life.
While
Gustafson
pursued
animation
throughout
his years at
the Chicago
Academy of
Fine Arts
and Columbia
College,
also in
Illinois, he
still sought
illustrations
by Wyeth,
Arthur
Rackham,
Norman
Rockwell,
Maxfield
Parrish and
others. It
was not
until he
discovered
the
realities of
the
animation
industry
that he
started to
consider
fine art
illustration
as a career
option. “The
opportunities
of
animation,
in terms of
subject
matter and
creative
control,
weren’t
nearly as
interesting
or rewarding
as those of
illustration,”
he says.
His
classic,
opulent
approach
elicited
immediate
response,
and soon his
work was
appearing in
magazines as
diverse as
The Saturday
Evening Post
and Playboy.
His work
came to the
attention of
book
publishers
and he began
to
illustrate
anew such
classic
children’s
books as The
Night Before
Christmas,
The
Nutcracker
and Peter
Pan. At that
time, he
also wrote
and
illustrated
new volumes,
including
Alphabet
Soup and The
Animal
Orchestra.
As
Gustafson’s
readership
grew, so did
interest in
his work as
a subject
for
collector’s
plates. He
has created
more than a
dozen
paintings,
based on
fairy tales
and nursery
rhymes, for
this
purpose.
Today Scott
continues to
explore the
delights his
art can
bring to
young and
old
alike—including
in the
medium of
porcelain.
In 1997, The
Greenwich
Workshop®
Collection
introduced
Gustafson’s
“treasures
for the
child in
each of us”
as
exquisitely
detailed
three-dimensional
works of
art.