-

- "After the busy harvest time
in the Alexander Valley the days get shorter," says artist June Carey,
"and the cool, crisp air and autumn rains bring rich color to the
vines and the new green grass between the rows. I feel it is a time
for the vineyards to show off after a long season of hard work. This
area in North Sonoma County is known for its superior Cabernet
Sauvignon."
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CABENET SQUVIGNON
| Size |
Type |
Editon |
Price |
| 54 X 27 |
Giclée Canvas |
75 |
$1295
|
|
-

- “I loved the challenge of
creating something so large and powerful. Just taking the photographs
to use while painting was quite an adventure! I made three trips to
photograph the area in record-breaking heat last July. I decided that
I wanted to paint early morning light on the falls—and I am not a
morning person. I got up at five a.m. to catch the light and it was
worth it. In order to get the shot, I held my camera strap between my
teeth and climbed out over the boulders of Eagle Falls. I held the
camera at arms length and hoped for the best. Just getting to paint
this scene was a journey, but the pleasure it brings to everyone
(including myself) makes it more than worth it.”
|
- CASCADE OF LIGHT
- EMERALD BAY LAKE TAHOE
| Size |
Type |
Editon |
Price |
| 24 X 36 |
Giclée Canvas |
125 |
$750
|
| 39 X 60 |
Giclée Canvas |
50 |
$1850
|
|
 |
CORTONA NOVEMBER
| Size |
Type |
Editon |
Price |
| 15 x 9 |
Giclée Canvas |
125 |
$225
|
|
-

- “The full name of the little
church is Pieve di Sant'Andrea a Cercina. It is in the community of
Sesto Fiorentino, just outside of Florence, Italy,” says June Carey.
“To get there, I drove through the tiny village of Serpiolle. The
stone walls close in on the street so that cars are expected to honk
on the blind corners before going into them. If you are lucky, there
is room for one small car. Once through the town, at a deserted
intersection was this church with its walled cemetery. Nearby, I saw
this woman gathering greens from the field for dinner that night. She
is my favorite part of the scene. I try to imagine myself getting
older and living the life that she must live there. I would, however,
probably be better at painting the scene than living it.”
- I returned another time and the place looked
deserted. The door was open and I went inside with my camera, thinking
to grab a few photos. There was a very heavy scent of white lilies and
in the dim light, across the barren interior courtyard I saw a table,
where the lilies were in a large vase. I snapped one photo, and was
ready to fire the next, when suddenly, from a small doorway I didn't
know existed, a nun appeared, speaking rapidly and waving a bony
finger at me. Although I had no idea what she said, I knew she did not
want me to take photos! So much for my love affair with the inside of
old churches, I guess one should never assume a place is deserted in
Italy.”
|
CERCINA ABOVE CAREGGI
| Size |
Type |
Editon |
Price |
| 28 X 19 |
Giclée Canvas |
100 |
$595
|
|
-

- There´s life in everything
during Spring. It´s something you take in before you focus on it or
truly see it. Trees, still seemingly barren of leaves, take on a
pinkish cast as a million tiny buds swell towards bloom. Rivers and
streams run full with the Spring melt and yellow grass gives way to
brilliant green. The light itself seems cast with a warmer glow, even
while the nights may still hold the winter´s chill.
- June Carey´s Early Spring at Stony Creek embraces
that golden moment when we become aware that the change of season is
upon us. Life is renewing. This is one of those rare images that
causes the smells, sounds and feelings of a time and place to come
flooding forth. The whole scene is so familiar and feels so close to
home we are certain we have been here.
|
EARLY SPRING AT STONY CREEK
| Size |
Type |
Editon |
Price |
| 24 X 18 |
Giclée Canvas |
100 |
$495
|
|
 |
EUCALYPTUS TRUNKS
| Size |
Type |
Editon |
Price |
| 16 X 8 |
Giclée Canvas |
95 |
$225
|
|
-

- The first hint of russet
leaves on the vines let us know magic is in the air as fall arrives in
the Alexander Valley. The warm days and cool nights have matured the
grapes to peak perfection. Over one hundred days ago, they first
appeared as flowers on the vines; six weeks back, these grapes were
green and hard, now they are soft and red. They are bulging with the
perfect balance of sugars and acids. Yesterday was too early, tomorrow
will be too late. Today is the day, today is harvest day.
- In a series, The Fullness of Time would nestle
between June’s September Haze and Fall Vineyard. Those long since Sold
Out at Publisher editions are among collectors most favored and
sought-after of her California vineyard works. The long, horizontal
format of the painting emphasizes the hand-manicured rows of vines
sweeping across the undulating hills. Crisp highlights underscore the
brilliance of West Coast sun.
|
THE FULLNESS OF TIME
| Size |
Type |
Editon |
Price |
| 41 X 16 |
Giclée Canvas |
100 |
$650
|
| 30 X 11 5/8 |
Paper |
250 |
$250
|
|
-

- With The Harvest, artist June
Carey returns to the location of her sell-out fine art edition Lost in
a View. Inspired by the hills surrounding Florence and the Castello di
Verrazzano Chianti region, the painting marks the warm fall days of
the Tuscan grape harvest in late September and early October.
Working farmers of all ages, men and women wearing their long aprons,
gather at the edge of the field, laughing, talking and sometimes
singing. They then go out with great purpose and energy, carrying
their red buckets through the seasoned vines which are heavy with deep
blue clusters of grapes. Cypress trees surround the ancient walls of
the buildings that mark the home of wine cellars since the twelfth
century.
- “I bought one of the red grape harvest buckets to
use as a prop in the paintings. At the vineyard, the workers eyed my
camera with suspicion and curiosity. I held it up and yelled ‘Artista
di California. E' bello!’ They laughed among themselves and went back
to the harvest
|
THE HARVEST
| Size |
Type |
Editon |
Price |
| 36 X 27 |
Giclée Canvas |
75 |
$750
|
|
-

- “This scene has actually been
in the works for several years. I love village scenes and I think this
will be the first of many. I hadn’t planned to include the figures or
the dog when I began. I added the women because I feel that the people
are as beautiful a part of Tuscany as the land and the history. Perso
means “lost” and I usually am lost when I’m there! I don’t know where
this village is—I hope that I can get lost there again sometime and
that I can recognize the place!”
|
LOST IN CHIANTI
| Size |
Type |
Editon |
Price |
| 18 X 24 |
Giclée Canvas |
150 |
$495
|
| 30 X 40 |
Giclée Canvas |
35 |
$995
|
|
 |
MY GIRASOLI
| Size |
Type |
Editon |
Price |
| 22 X 16 1/2 |
Paper |
100 |
$250
|
| 24 X 18 |
Giclée Canvas |
50 |
$495
|
|
-

- “This bend in the road is a
remote corner of the Alexander Valley,” says artist June Carey. “I go
there to escape the congestion of the rest of the world—I don’t want
to share the actual location, really! The chickens and geese wander
happily through the vines, eating insects they find hiding under
leaves and in the grass. The summer days are long, allowing the grapes
to mature in their own good time. Tiger lilies and summer grasses
support the wobbly arbor that tempts me to wander just a little bit
closer.
|
MY SONOMA
| Size |
Type |
Editon |
Price |
| 30 X 20 |
Giclée Canvas |
200 |
$695
|
|
-

- “The locals say we have two
seasons in California: green and gold,” says artist June Carey. “In
the late 1880s northern California became a source for the highest
quality grain in the world, especially wheat. This period was known as
the ‘Second Gold Rush.’ The grain was harvested and then floated down
the rivers and canals on boats to San Francisco and loaded on to huge
sailing ships. When the winds came the germ of the wheat and oat
grasses spread and mixed with native varieties.
- In the late spring now, when the rains end, the
grasses adapt to the long dry summers by turning brilliant shades of
gold. The fields remain this color until the fall rains bring the new
green growth. In September, they are a beautiful contrast to the rich
dark greens of the native valley oaks and live oaks.” The golden glow
of grain highlights the dawning autumn beauty of Carey’s California
valley in September Gold.
|
SEPTEMBER GOLD
| Size |
Type |
Editon |
Price |
| 36 X 24 |
Giclée Canvas |
100 |
$750
|
| 60 X 40 |
Giclée Canvas |
75 |
$1950
|
|
-

- “When one has lived a long
time in northern California, as I have,” says June Carey, “it is easy
to forget or take for granted the exquisite beauty of the California
coastline. I had driven to Sonoma to photograph something entirely
different, but as I made my way home, driving along the shore, I was
astounded by the light on the water and the rough beauty of the rocks.
Soon the sun would set and the first pale pink rays were creeping
across the sparkling water. It was absolutely magnificent. I wanted to
take that image home with me, to hold it in my mind and with this
painting I think I have succeeded.”
|
SONOMA SURF
| Size |
Type |
Editon |
Price |
| 48 X26 |
Giclée Canvas |
50 |
$1250
|
|
-

- “One evening many years ago,
the light was perfect as my artist husband and I set out on a photo
adventure,” says artist June Carey. “I drove into the Sea Ranch
entrance and down around the bluffs, where we discovered a path. After
running along the bluffs with our cameras, in and out of cypress
forests and through blackberry bushes, the path opened into a
beautiful cove, drenched in the last hour of golden sun. Because of
the many recent storms, there was, in the protection of the cove, a
wondrous accumulation of driftwood, knocking back and forth like an
orchestra of wood percussion instruments as the waves flowed in and
out. We climbed down onto the beach and took hundreds of photos. As
each wave came and went, the wood was completely rearranged. I have
painted this scene several times over the years.”
|
SUNDOWN AT SEA RANCH
| Size |
Type |
Editon |
Price |
| 20 X 16 |
Giclée Canvas |
100 |
$475
|
|